David Hockney: A Year in Normandie and Some Other Thoughts about Painting

“Review finds the iPad paintings underwhelming but cheerful, emphasising Hockney’s continued curiosity and productivity.”

“Mixed review: the 90-metre iPad frieze is ambitious but less convincing in the gallery than on screen.”

“FT is positive, describing the seasonal frieze as a thrilling hymn to the seasons.”

“The Times calls the show immersive and emotionally intensifying, possibly a late-career swansong.”