Press

"Review finds the iPad paintings underwhelming but cheerful, emphasising Hockney’s continued curiosity and productivity."

"Sceptical review arguing the show depends heavily on the viewer’s investment in Emin’s confessional persona and self-exposure."

"Positive review calling it a rich look at a post-colonial art explosion, while noting that the show’s breadth can overwhelm."

"Positive review emphasising spiritual and theatrical intensity."