Press

12 reviews of current and recent exhibitions, drawn from leading critics and publications.

The Guardian16 Apr 2026
Paula Rego: Story Line at Victoria Miro

"Review praises the range and emotional force of Rego’s drawings, studies and late self-portrait, noting political and personal intensity."

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The Guardian11 Mar 2026
Stubbs: Portrait of a Horse at National Gallery

"Review admires Stubbs but criticises the display as too small for an artist of such radical intelligence."

Jonathan Jones
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The Guardian11 Mar 2026

"Mixed review: the 90-metre iPad frieze is ambitious but less convincing in the gallery than on screen."

Ben Eastham
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The Guardian19 Nov 2025

"Review says Wes Anderson fans will relish the detailed archival presentation, though it offers limited critical distance."

Catherine Slessor
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The Guardian8 May 2026

"Guardian week-in-art listing highlights Grosse’s sprawling technicolor installations and paintings; recommendation rather than full review."

Jonathan Jones / Guardian arts desk
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The Guardian29 Apr 2026
Zurbarán at National Gallery

"Strongly positive review praising mystical realism and painterly drama."

Jonathan Jones
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The Guardian17 Apr 2026

"Guardian week-in-art listing recommends the show as a return by the master of giant, building-sized paintings."

Guardian arts desk
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The Guardian23 Mar 2026
Cecily Brown: Picture Making at Serpentine South Gallery

"Guardian interview/preview covers Brown ahead of Picture Making; included as review-adjacent press, not a scored review."

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The Guardian25 Feb 2026

"Emotional review focused on vulnerability and autobiographical intensity."

Eddy Frankel
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The Guardian25 Feb 2026
Beatriz González at Barbican Art Gallery

"Review praises the retrospective’s political power and emotional force."

Adrian Searle
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The Guardian28 Nov 2025

"Guardian Weekly review describes the show as an archive-rich presentation of Anderson’s film world, with props, costumes, models and puppets."

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The Guardian8 Oct 2025
Nigerian Modernism at Tate Modern

"Review calls the exhibition ambitious and historically rich."

Adrian Searle
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